Cliff Robinson and Dylan Teague - Christmas BOKs!

Ho ho holy Joe Christmas, that looks painful! The Mighty Cliff Robinson once again gives us, quite literally, a cracking cover. Cliff is an absolute powerhouse of ideas, always coming up with inspirational takes from Mega-City life, be it a snapshot of Dredd in action or tightly focusing on a piece of Justice Dept. equipment, Cliff always gives us something a little quirky or different.

The title of this piece is 'A Lasting Impression' which you can see was his suggested strap line for the image...

Oh that Dredd, what a nutter.

'The grumpy old Lawman brought down his big head'

However, Tharg had different ideas. Over to Cliff to elaborate - "So here is the Christmas cover and it's roughs. As you can see, it was not originally conceived as a festive cover. The 'Punk Santa' was Tharg's inspired idea!"

And what a cool idea it was! Here's Cliff's pencils with added festive Santa hat...

 The nutcracker - sweet!

With the image given the festive seal of approval, Cliff beautifully inks those glorious pencils. Please, as a Christmas treat, open the image below in a new window and spend a bit of time looking at it, I promise you won't be sorry.

Have you seen my Dredd impression?

Once again, Dylan Teague had the unenviable task of doing justice to those fantastic inks and as usual didn't disappoint. He's done a horribly gory job!

Have a drool yule!

And here's how the final image looked in the shops - nice strap line by the design droids!

Festive thanks to Cliff and Dylan for sending the images, what a fine set of Droids working in perfect harmony. Perhaps Tharg should rivet them together droid centipede style!

A very, very Merry Christmas to everyone who reads this shambles of a blog and to all the amazing artists who contribute! I love you all inappropriately! 

Henry Flint - Die Fleshy One!



Ooooh, Henry Flint isn't looking too well is he? Here's the final, Flesh-ripping standard prog cover of 2013 by the brilliant Henry Flint. Over to Henry to tell us more.

"In keeping with many self portraits in 2000ad over the years (artists using their own image for facial expressions mostly) thought I'd have a go. Tharg had the idea of doing a warning poster for the cover which hints back to old progs. Wanted the same feel as those 1970’s Rabies posters up around Customs & Excise houses. Living by the sea back then put a sinister edge to the sea side, ice-cream, buckets and spades and violent death."

Yep, got to agree with Henry there, as a kid growing up in the 70's, the three things that terrified me most were rabies, pneumonia and the Yorkshire Ripper - happy days!

Budgie smugglers are okay though. 

Get DOWN Shep... 

Below is Henry's rough for the gruesome cover...



 

Thrillpower overload?

And finally his concept art for the cover which is pretty damn close to the printed version...



 A 70's poster warning of the deadly disease, Blurb!



 "I’m aware the narrowness of the final artwork submitted needed Pye to work extra hard to make this work. He did a great job. The end result I hope is creepy and not just because it has my face on it!"

Sadly, those rollercoaster riding boy scouts with the strawberry milkshakes on Jim'll Fix It never learned their lesson...

Yeah, Pye-01 certainly earned his oil rations that week, doing a top job of putting the elements together. Here's how it looks stuck to the wall at your local Customs and Excise house!

 

Henry Flint was seriously miscast as Carrie in the remake.

 

 Great big walloping thank you's to Henry, what a marvellous fella and a cracking cover. Be sure to check out his marvellous blog here: http://henryflint.wordpress.com/

 



Mark Harrison - Pain in the Gas.

Mark Harrison treats us to one of the most sinister 2000AD covers of the year as the forces of Earth attack The Enemy planet!

"Tharg wanted the Earth ships converging on the Enemy gas planet so I did this mock up:"

Death Planet?

"I used existing artwork and just made up a formation, a pentangle of ships heading towards a  demonic planet. I originally conceived of the Enemy as a combination of virus and gas giant weather storm like the eye of Jupiter.  A "Supercell" (is that a pun?)"

Mark gives us a virus, thanks 'mate.'

"Constantly boiling and churning, shooting off bits of itself, although on this scale it was more like solar flares taking hours to leave the surface where lightning storms raged in the glowing heart of the dark gaseous maelstrom."

"I wanted it to look like a violent and foreboding place and it was tricky to get the right sense of glow and darkness.  Worried it would print too dark as a cover I erred on the side of caution here and made it brighter that I would have liked."

The contents of my arse after fizzy pop and beans

"But I was right to do so as it printed up pretty much as I wanted/expected with just a loss of range value in the shadows which is typical. I actually lighten the blacks just a tad, but darken towards the corners so the black borders of the strip should be the darkest part of the page."

"There should have been a ring of ships, like Saturn's rings around the planet and I did plan for them but it looked messy and bitty so I dropped them for a "clearer," simpler image of Enemy and ships."

"People may site a recent Dr who episode as inspiration for the skull face in the cloud/planet skull thing. It did consider it briefly, but I was going back further to Luc Besson's The 5th Element for my inspiration and "Mr Shadow" and the V'ger Cloud in Star Trek: The Motion Picture."

"Makes a connection with the reader, puts a  face to the enemy,  literally!"

And here's the final cover in all its' spooky glory!

Here's how the prog looked on your newsagent's shel... hey wait a minute, below is Mark's suggestion for the cover followed by PYE-01's official  version...

Spot the difference!

So a big tha- oh, not one to skimp on detail, Mark sent even more goodies from the strip!

"A sheet of spaceships used in the strip. Originally I was going to have the ships appear and move as vertical spires, like churches drifting  through space (more like tall ships). It would have been more original  but  it looked a bit directionless so that idea only made it into display screen graphics."

Mightily impressive spaceships

Ships ahoy!

"The original enemy concept that was used in the strip. This has more of a solar flare feel about it, bursting and turning itself inside out. I experimented with different coloured internal gases, having a red gas on the inside , but that made the skull face look like a clown!"

"I did save the idea for the strip though when the Earth Ships head in to the enemy, the outer skin of green gases pulling apart to reveal a red interior."

A bad case of PInkeye

"My toy child's skull which was originally day-glo colours bought form me by my dad from Ripley's "Believe-it-or-Not" on the Blackpool pleasure beach."

"Kids used to have great stuff like that back then; gruesome attractions like Ripley's "Believe-it-or-Not"  selling gore and freak show oddities and horror tales to impressionable minds amid the Dr Who and Gerry Anderson Space City Exhibitions of the 1970's that were on the seafront."

A guest appearance from Zombo

"I created a sheet of oil rigs and  ocean liners photographed  at night so only their lights were showing and made up mirrored images of them that I could use to drop on space ship silhouettes to give the impression of lighting."

Some of Mark's cast collection of 'Oil Rig at Night' photos.

"The Earth Station symbol I came up with to suggest the human forces  was a deliberate nod to the Terminator's symbol in Nemesis the Warlock."

"So glad I don't have to paste, resize and distort that for every other panel! I'm taking it easier for the next strip!"

 

HUUUUUGE thanks to Mark for sending the bits and bobs for this weeks' cover and more, brilliant stuff as ever!